When observing the world I imagine it as an abstract. When I create art, visual parallels of my experience occur in my work.

My  intention is to interact with the media and the process until I reach a  point of equilibrium or rightness that I recognize with my body and my  eyes: the references ebb and flow as I work, but are not the purpose of  the work.

. . .

I want the viewers to find their own  resonances: I don’t want them to harden into a visual gestalt, but to  remain elusive and evocative.